2 10" W3V.2's, or 1 10"W7?
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2 10" W3V.2's, or 1 10"W7?
which should i go with? im looking for a harder punch and i think two subs are the way to go, but i dont want to get 2 W7's, so what do you guys think?
Need to answer some preliminary questions first.
How much power?
What amplifier?
Sealed or Ported?
How much space?
SQ, SPL, SQL?
Once those questions have been answered, I think you'll have a better idea of what set up would be the better choice.
How much power?
What amplifier?
Sealed or Ported?
How much space?
SQ, SPL, SQL?
Once those questions have been answered, I think you'll have a better idea of what set up would be the better choice.
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the 2 10W3's would hit a little harder...the W7 would sound better though..Why not got for a 12W7?..get that extra low end extension and slightly extra SPL..?
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[hr]Originally posted by: EternalVTEC
im goin for 10's because theyre geared more for the different types of music i listen to[hr]
[hr]Originally posted by: EternalVTEC
im goin for 10's because theyre geared more for the different types of music i listen to[hr]
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[hr]Originally posted by: HeRbaLuS
man i'm thinking of upgrading tha JL's too but i for sure gotta do some dynamatting those JL5 and 7's no matter what they are 10 or 12 will for sure blast your trunk open.[hr]
[hr]Originally posted by: HeRbaLuS
man i'm thinking of upgrading tha JL's too but i for sure gotta do some dynamatting those JL5 and 7's no matter what they are 10 or 12 will for sure blast your trunk open.[hr]
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i was suggested a 10 because for example in a rack track, the 10 being smaller and lighter(in most cases) will be quicker than a 12 and will be able to play quicker and more accurately, as for the enclosure, i was thinking seal because ther is better control over the sub, meaning, with a ported or bandpass enclosure, the sub is freeer to move and can bottom out or something like that a lot quicker.
Most of the "boominess" and "sloppiness" associated with subs is due to FREQUENCY RESPONSE issues. A system with a big bump in the response at 50 or 60Hz is going to sound crappy.
Personally, I prefer bigger drivers (15", 18", etc.); or should I say in general I prefer having greater cone area. More drivers with the same area is probably better than fewer, but it's also more expensive, heavier, and the benefits are probably not that great.
Most of the big studio monitors I've seen/dealt with have large woofers. The Genelec 1036A has two 18" bass drivers crossed over at 400Hz, and I don't think anyone is complaining that they're "sloppy." And they're even ported
Personally, I prefer bigger drivers (15", 18", etc.); or should I say in general I prefer having greater cone area. More drivers with the same area is probably better than fewer, but it's also more expensive, heavier, and the benefits are probably not that great.
Most of the big studio monitors I've seen/dealt with have large woofers. The Genelec 1036A has two 18" bass drivers crossed over at 400Hz, and I don't think anyone is complaining that they're "sloppy." And they're even ported
Those are nt near field monitors, most near fiels studio monitors deal with 8s or 10s. And most long range studio monitors do use 12s most of the time, the Genelecs you refer to are an exception.



